CURRENT INFORMATION
What Remains Is Deep Gratitude – Farewell to Herbert Blomstedt
For Herbert Blomstedt, time seemed somehow to pass differently – or so one might have thought over the years. Year after year, concert after concert, his interpretations touched us ever more deeply, and our encounters with him became ever more meaningful. For this endlessly curious, extraordinarily gifted and deeply devout conductor, every concert was an act of worship. Now, just a few months before his 100th birthday, Herbert Blomstedt has reached the end of his life's journey. With profound gratitude, we remember how tirelessly he devoted himself to music, seemingly ageless, with unwavering discipline and the sheer joy of music-making. Several times each season, this dedication brought him back to Bamberg, to an orchestra with which he had shared a close bond for almost 50 years, latterly as Conductor Laureate. Together, they performed more than 200 concerts in over 50 cities.
Alongside people and musical scores, books held a particularly special place in Herbert Blomstedt's life. He often arrived in Bamberg, a city with a thousand years of history, carrying a large, empty suitcase. By the time he left, it would invariably be full, following visits to the city's antiquarian bookshops between rehearsals and concerts. Even well into his later years, he would happily lift the suitcase into a car or onto the baggage conveyor belt at the airport himself.
There was so much to learn from Herbert Blomstedt, far beyond music. Literature, art history, Baroque poetry, the latest research in neuroscience – hardly any subject was too remote for him to explore with curiosity and intellectual depth. His memory was like an infinite, perfectly organised archive, from which he could retrieve precisely the right information at any moment. The same was true of the people he met: he never forgot their names or personal stories, even if decades had passed since their last encounter. A genuine interest in others was, for him, the foundation of making music together, and he gave everyone he spoke to his undivided attention.
Herbert Blomstedt's gentle sense of humour was legendary. When we performed Anton Bruckner's Fifth Symphony with him at St Florian Abbey Basilica to celebrate his 90th birthday, he returned to the rehearsal after his customary afternoon nap, smiling as he told the orchestra that he had just been resting in Bruckner's bed – beneath the composer's death mask, which hangs on the wall there. "But I managed to resurrect myself just in time," he said, before giving the downbeat.
Now Herbert Blomstedt has finally found his rest. We shall miss him.
November 5, 2026
Ticket Sales 2026/27 season
You can purchase individual tickets for the current 2026/27 season in our shop in Bamberg and online.
This way to our >>Webshop.
Concert information:
Instead of the former bus shuttle, a "Shuttle Taxi" now runs from the Georgendamm underground car park (Hornthalstraße 2A) to the concert hall.
The shuttle taxi departs 45, 30 and 15 minutes before the concert begins.
After the concert, the "Shuttle Taxi" will return at least twice to the TG Georgendamm.
The concert hall and the box office will now open their doors 75 minutes before the concert starts.
The concert introduction for all subscription concerts takes place one hour before the beginning of the concert in the Joseph Keilberth Hall.
These services are available in our ticket shop
- Booking of new subscriptions
- Automatic renewal of existing subscriptions
- Exchanging of subscription tickets
- Sale of single tickets for subscription concerts, chamber, organ, family and special concerts
- Sale of tickets for New Year's Eve concerts
- Shipping of our season brochure
- Sale of CDs and publications
Bamberg Symphony Shop
Lange Str. 30
96047 Bamberg
GERMANY
Phone + 49 951 - 99 39 10 99
ticket[at]bamberger-symphoniker.de
Office hours: Mon-Sat 10am-3pm
New CD: MOZART: PIANO CONERTOS NOS. 9 & 22

Jan Lisiecki, Manfred Honeck, Bamberger Symphoniker
from Deutsche Grammophon
Wolfgang Amadeus Mozart: Piano Concerto No. 9 in E-flat major K. 271 “Jeunehomme”
Wolfgang Amadeus Mozart: Piano Concerto No. 22 in E-flat major K. 482
The Bamberger Symphoniker perform Mozart’s Piano Concertos Nos. 9 and 22 in E-flat major together with Manfred Honeck and pianist Jan Lisiecki. Marking the 270th anniversary of Wolfgang Amadeus Mozart’s birth, Lisiecki returns to these two contrasting works, continuing his artistic engagement with the composer. Together, they present two central masterpieces of Mozart’s oeuvre, characterized by clarity, elegance, and emotional depth.
CÉSAR FRANCK - GRANDE PIÈCE SYMPHONIQUE OP. 17 FOR ORGAN & ORCHESTRA

From CPO
César Franck: Grande Pièce Symphonique Op. 17 for Organ & Orchestra
César Franck: Les Éolides
Charles-Marie Widor: La Nuit de Walpurgis Op. 60
This album presents a rich exploration of the French late-Romantic organ and orchestral tradition. Christian Schmitt, the Bamberg Symphony, and conductor Fabien Gabel bring Franck’s monumental Grande Pièce Symphonique to life in a newly realized orchestral version, while also performing Franck’s evocative tone poem Les Éolides and Widor’s rarely heard dramatic work La Nuit de Walpurgis. The recording highlights both the grandeur and the subtle color of French symphonic writing.
HELDEN LEBEN LIED

Bamberg Symphony with Jakub Hrůša
by accentus music
Antonín Dvořák: A Hero's Song, Op. 111, B. 199
Alexander Glazunov: Symphonic Elegy, Op. 8 “To the Memory of a Hero”
Richard Strauss: A Hero's Life, Op. 40
This album presents a powerful symphonic exploration of the themes of heroism, memory, and legacy. Jakub Hrůša and the Bamberg Symphony Orchestra bring to life three expressive orchestral works, each offering a unique perspective on a hero's journey.
BRUCH & KORNGOLD

NEW: Violin concertos by Max Bruch and Erich Korngold with Bomsori Kim and principal conductor Jakub Hrůša, released by Deutsche Grammophon.
ITALIAN PERSPECTIVES

ITALIAN PERSPECTIVES
Bamberger Symphoniker, Riccardo Frizza
from Pentatone
Sergei Rachmaninoff: 5 Études-tableaux (arr. for orchestra by Ottorino Respighi)
Ottorino Respighi: Trittico Botticelliano
Giuseppe Martucci: Symphony No. 1 in D minor, Op. 75
On Italian Perspectives, the Bamberger Symphoniker and Riccardo Frizza explore the revival of Italian instrumental music. Martucci’s Symphony No. 1 highlights the Italian symphonic tradition, blending Brahmsian rigor with passionate outbursts. Respighi’s Trittico Botticelliano brings Renaissance paintings to life, while his orchestrations of Rachmaninoff’s 5 Études-Tableaux combine Italian colour with Russian narrative depth. Riccardo Frizza leads the Bamberger Symphoniker in their PENTATONE debut with precision and expressive intensity.
Prayer for Ukraine (Valentin Silvestrov)

